We met in a different building that
day. It took me fifteen minutes to find
a parking spot. I parked in a lot first,
squeezed too close between two soccer-mom minivans. Walking away, I saw the sign threatening to
ticket me. So I moved. Parked on the street. I turned the key and the engine shuttered to
a halt. My hand shook as I applied a
fresh layer of lip gloss to my chapped mouth.
I made eye contact with my reflection in the mirror and realized I
forgot to pluck my eyebrows.
Walking up to the building, I
looked around. I had never been in that
part of town before. Were the people in
the restaurant across the street looking at me?
Through the tempered glass of the pizza shop? What about the middle-aged man in the pick-up
truck at the stoplight? He had on a
camouflage baseball cap and, if he was anything like every other man in this
county, a wad of chewing tobacco tucked between his bottom lip and teeth. Did he see me?
“Please use side door,” the sign
said. So I did. The side door lead to a skinny staircase
covered in blue carpet. The fake wood
paneling glued to the walls was breaking apart at the corners. The encased hallway smelled of must.
A brunette woman, looking about
thirty, sat at a reception desk at the top of the stairs. She smiled warmly when she looked up at me. She looked like a mother. But nothing like my
mother.
“Can I help you, honey?”
She saw me.
“I have an appointment with Ms.
Huggins.”
I gave her my name and took a seat
on one of the faded upholstered chairs.
Another girl sat on the last chair in my row. She looked down at the floor, her
shoulder-length hair covering her face.
I wondered what she was afraid for people to see. I looked away.
My name was called and I looked
up. Ms. Huggins was my therapist. “Councilor,” actually. She was in her early forties but dressed a
decade younger, nothing too flashy but still out of sync with the wrinkles
around her eyes. I hadn’t been to an
appointment in a month or more. I was
working a lot. My two part-time jobs
kept me busy. That was good.
The office at the Women’s Clinic
was different than her tiny, unfurnished cubicle at the university. The walls were painted a deep rose pink, the
carpet that same grey-blue from the staircase.
Lots of color from framed paintings and photographs added strokes of
excitement to the room. From the window dangled a glass wind chime that
collected all the light the sun would spare and converted it to rainbows that
danced on the ceiling.
“So how have you been?”
I hated that question. If I were doing well I wouldn’t be there, sat
in front of a complete stranger I confessed to like a priest. My family wasn’t Catholic.
“Fine.” I nodded.
“You’ve been working a lot?”
“Yes.”
“But you’ve been going out? Letting
off steam like we’ve talked about?”
I didn’t answer.
I heard my phone vibrate in the
purse nestled by my feet. I knew who it
was without checking the screen.
“So what did you want to talk about
today?” She was asking questions because I was quiet too long.
“Well…” I looked up from my bag,
“there’s this girl.”
Ms. Huggins smiled. With confirmation. With acceptance. With compassion.
That day, in the rose-colored confessional with dancing light, I let someone see me. It didn’t hurt as much as I’d anticipated, but I cried anyway.
That day, in the rose-colored confessional with dancing light, I let someone see me. It didn’t hurt as much as I’d anticipated, but I cried anyway.
This is a very well written piece. "Did he see me?" I think this is a great line, since very few really know who the real you is. There a set of two's throughout the piece: the original building and the different one, the side door and the front door, the two mini-vans, the two part time jobs. I feel that this language hints at you as a person and how you could be experiencing this sense of "two-ness." It appears that you may struggle with the version we see and the version you know. This idea is pushed further when you question what the other girl is thinking, "I wondered what she was afraid for people to see." I think the ending was also good, as you are showing us and not telling us what you were experiencing at the time.
ReplyDeleteAnessa,
ReplyDeleteThis is an excellent essay. As Gregg says, you're showing us so much--that you felt like a fish out of water, that you were conflicted and of two minds. Even in the revelation (half-revelation?) at the end, you give us a sense of the moment rather than telling us what that moment was.
Juliet, of course, doesn't come on stage and say "This is the scene in which I ask why Romeo is Romeo."
Can you look at the first two paragraphs and pluck them a little. The first sentence of paragraph two might not get as much done as the second sentence. And while I love the fragments and discomfort of paragraph one, you might be able to trim it just a smidge."I turned the key" seems to be the sentence that does the least.
-Love "she looked like a mother, but not my mother." And the double-meaning of "she saw me," which you include with subtlety.
In the paragraph about the two offices, I'm not absolutely sure which one you're describing. "The walls here were painted. . ." "In the window, a glass wind chime dangled, collecting. . ."
"sitting in front. . ."
I think this post might have a life beyond class. Wanna think about where you could go with this?
Dave
This piece is fantastic. I enjoyed your description of the people around you, especially your councilor as she was "in her early forties but dressed a decade younger." It really gives an accurate description without being too terribly descriptive, and that type of concise inclusion of detail is a gift. I agree with Dr. Wanczyk that this is an excellent essay and I would really like to see it continued at some point!
ReplyDelete